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・ Lonely Teenager
・ Lonely Teenager (song)
・ Lonely the Brave
・ Lonely This Christmas
・ Lonely Tonight
・ Lonely Too Long
・ Lonely Town (Brandon Flowers song)
・ Lonely Train
・ Lonely Vigils
・ Lonely Water
・ Lonely Wives
・ Lonely Wives (film)
・ Lonely Woman
・ Lonely Woman (album)
・ Lonely Woman (composition)
Lonely Women
・ Lonely Women Make Good Lovers
・ Lonely Won't Leave Me Alone
・ Lonely Won't Leave Me Alone (Trace Adkins song)
・ Lonely, Cryin', Only
・ Lonelygirl15
・ Lonelyhearts
・ Lonelyland
・ Lonelyville
・ Lonelyville, New York
・ Loneman Fire Lookout
・ Lonemore
・ Lonemore, Sutherland
・ Lonemore, Wester Ross
・ Lonepine, Montana


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Lonely Women : ウィキペディア英語版
Lonely Women

''Lonely Women'' was a radio soap opera in the United States during World War II. It "told of women separated from their men by war." The 15-minute program, which was sponsored by General Mills, ran one season on NBC, with its first episode broadcast June 29, 1942."〔Dunning, John (1976). ''Tune in Yesterday: The Ultimate Encyclopedia of Old-Time Radio. 1925-1976''. Prentice-Hall, Inc. ISBN 0-13-932616-2, Pp. 371-372.〕
== Creator ==

''Lonely Women'' was conceived and written by Irna Phillips,",〔Dunning, John (1976). ''Tune in Yesterday: The Ultimate Encyclopedia of Old-Time Radio. 1925-1976''. Prentice-Hall, Inc. ISBN 0-13-932616-2, P. 371.〕 a prolific producer of radio soap operas. Her entry on the Jewish Women's Archive website notes her contributions to the genre as follows:
Working with a full-time secretary and staff of writers and researchers, Phillips produced five daytime serials during the early 1940s. Among her most popular radio soap operas were ''The Guiding Light'', ''Woman in White'', ''The Right to Happiness'', ''Lonely Women'', and ''The ‘New’ Today’s Children''. Known for her trademark cliff-hangers, the use of organ music to create moods, and the “crossover” (when characters from one show appeared on another), she was among the first scriptwriters to utilize the amnesia victim and the murder trial. Shunning sensationalism, Phillips preferred to focus on real-life families as they coped with such socially significant issues as juvenile delinquency during World War II, the adjustments of returning war veterans, adultery, adoption, and divorce. In contrast with other radio soap operas, which typically endorsed traditional visions of domesticity and femininity, Phillips’s serials frequently conveyed the complexities of modern women’s choices.〔(【引用サイトリンク】url=http://jwa.org/encyclopedia/article/phillips-irna )


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